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Camerata Chorale

The Camerata
Chorale of Poughkeepsie was
founded in 1963 as a not-for-profit,
non-sectarian choral ensemble whose
members are drawn from more than 20
Hudson Valley communities. Membership in the Camerata is
by audition and the group rehearses
weekly, presenting at least three
varied programs each season,
including music from the Middle Ages
to the 21st century, in as many as
seven languages. The ensemble has
performed most of the established
major and minor choral works in the
repertoire during its 44-year
history.
Camerata
performs regularly with the
Ulster Choral Society of
Kingston and the Bach-Handel
Festival Orchestra. They have
sung on many occasions with the
Hudson Valley Philharmonic and
such chamber ensembles as the
Tudor Brass Quintet. Concerts
are often given in Poughkeepsie at
the Bardavon 1869 Opera House
and the Ulster Performing Arts
Center in Kingston, as well as
many area churches. Under the
direction of conductor Lee H.
Pritchard, the Camerata Chorale
has grown in stature and continues
to be highly acclaimed by critics
and audiences alike.
On two separate
occasions, in 1992 and 2001, the
Chorale received the Dutchess
County Executive’s Arts Award for
excellence as an Arts Organization. This award was also in recognition
of the contribution of Camerata’s
Director, Lee H. Pritchard, to the
Arts in the Hudson Valley,
particularly Dutchess County.
The Chorale
has sung five times at Carnegie Hall
under the direction of David
Randolph, performing the Berlioz
Requiem (1991 and 1996), the
Verdi Requiem (1993), and the
Dvorák Requiem (1995). Their
last appearance at Carnegie was in
December 2000, when they sang Gerald Finzi’s For St. Cecilia and
In Terra Pax and
Mendelssohn’s Symphony No. 2, “Lobgesang”
with the St. Cecilia Chorus and
Orchestra.
In May of 1995
Pritchard and the Camerata
were privileged to present the New
York premiere of Richard Einhorn’s
oratorio Voices of Light,
accompanying three showings of
Dreyer’s classic film The Passion
of Joan of Arc, at the Bardavon
in Poughkeepsie. The Oratorio was
again performed at the Brooklyn
Academy of Music in October 1995
with members of the Brooklyn
Philharmonic with Lucinda Carver
conducting. A fifth performance was
given at the Mid-Hudson Civic Center
in April 2001, featuring the
acclaimed vocal quartet Anonymous
Four, with Maestro Pritchard
conducting.
The Camerata
Chorale was honored to be
selected as a major performing
ensemble at the Region II & III
American Guild of Organists
Convention held in Poughkeepsie, New
York in June 2005. A full concert
of French choral music from the 15th
to the 20th centuries, culminating
with the Duruflé Requiem,
capped the Convention’s concert
activities. A choral techniques
workshop featuring the techniques of
Robert Shaw was offered to the
participants. Lee Pritchard was the
Clinician.
With the formation of
the Choral Union in 2003, the
Chorale has been able to
mount grand performances of
masterworks with the Ulster
Choral Society and singers who
join us just for these concerts. This series continues in the spring
of each concert season and is
described more fully on the
Choral
Union page on this web site.
Past performances of the Choral
Union have included Mozart’s
Requiem and Mass in C Minor,
both editions by Robert Levin;
Handel’s Messiah and Judas
Maccabaeus; and
Mendelssohn’s Elijah. Future
performances of the Choral Union
will include Bach’s Mass in B
minor (2008) and Beethoven’s
Missa Solemnis (2009).
The Camerata
Chorale has a multi-purpose
agenda. Not only is the quality of
our artistic product a primary
objective, but we believe we have an
important educational mission as
well. Our educational mission
includes both internal and external
components. We include students in
our membership, both at the High
School and College levels. Students
meet the same audition requirements
as adult singers.
We believe that each
rehearsal is a learning opportunity
for members who come to share and
appreciate the historical and
stylistic context of the music being
rehearsed each week. Frequently we
sight-read additional music by a
composer during a rehearsal cycle,
and sometimes this includes music of
contemporaries. We study musical
and textual relationships; we study
language and diction problems; and
we have a vocal development program
which involves all members during
allotted rehearsal time.
We offer an annual
education scholarship to high school
students who live in the school
districts in which our members
reside, and to the districts in the
greater Hudson Valley. Students must apply
to the Chorale through their
High School music teachers and/or
guidance counselors. The
scholarship is named in honor of
revered accompanist emeritus Edward
B. Greene. Click
here to learn more about this
scholarship.
The organization
receives funding from the Dutchess
County Arts Council (Dutchess
Arts Fund Project Pool), and Community Service Grants and
matching funds support from IBM
Poughkeepsie and other
corporations. Generous support is
received annually during our
individual patron and sponsor
program. The business community in
the greater Hudson Valley is also
liberal in its financial support of
our ensemble.
Several years ago the
Chorale established an
Endowment Fund to enable the group
to explore and fund special artistic
endeavors and assist in funding
other capital projects.
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Lee H. Pritchard, Artistic
Director

Lee Harold Pritchard
has directed the Camerata Chorale
of Poughkeepsie since 1966, and the
Ulster Choral Society of
Kingston since 1978. Joining the
faculty of SUNY New Paltz in 1964,
he retired from full-time teaching
and administration at SUNY New Paltz
in 2005 after 40 years of service. During his tenure at the college,
Professor Pritchard was Chair of the
Music Department at different times
for over 15 years. He also chaired
the Department of Theatre Arts
during some summer sessions. During
his tenure he also served as
Presiding Officer of the Faculty,
Chair of the Fine and Performing
Arts Council, and Chair of the
Organization Committee.
Maestro Pritchard has
been guest conductor of many select
choirs in the Northeast for over 40
years. His work in theatre led to
the establishment of a Musical
Theatre degree program at SUNY New
Paltz in 1987, where he directed
over 45 musicals and opera for the
New Paltz Players, the New
Paltz Summer Repertory Theatre
and McKenna Productions. He
also directed works for the
Poughkeepsie Ballet Theatre and
Ninety Miles Off-Broadway. As a co-founder of the Hudson
Valley Gilbert & Sullivan Society
in 1978 (now the
Gilbert & Sullivan Musical Theater
Company), Pritchard served
on the Board of Directors from
1978-88 and was Music Director and
Principal Conductor of the Society,
directing the Gilbert and Sullivan
canon as well as several other
operettas and American musicals.
Professor Pritchard
received his undergraduate degree
from SUNY Fredonia and completed
graduate studies at Indiana
University School of Music, studying
with Donald Moses, Roger Havranek,
Paul Matthen, Fiora Contino and
Julius Herford. He currently
serves as an artistic consultant to
the Bardavon Opera House in
Poughkeepsie, often appearing as
resident guest conductor.
Maestro Pritchard is
the founder and conductor of the
Bach-Handel Festival Orchestra,
organized in 1984 to perform with
the choruses in a three-year
Bach-Handel Festival. From
1978-1990 he prepared choirs for the
Hudson Valley Philharmonic
and under the baton of Imre Pallo
performed major masterwork concerts
annually on the HVP’s Symphony
Series. Pritchard prepared the
Camerata Chorale and the
Ulster Choral Society for
Carnegie Hall appearances in 1991,
1993, 1995, 1996 and 2000 with the
St. Cecilia Chorus and Orchestra,
under the direction of David
Randolph.
Pritchard continues
to prepare choruses for performances
with the Hudson Valley
Philharmonic, currently under
the direction of Randall Craig
Fleischer. During the 2007-2008
Fall Season the choirs will be
singing on the opening Opera Gala
program with the HVP at the Bardavon
Opera House.
Professor Pritchard
has been privileged to study with
the late Robert Shaw, Dean of
American Choral Conductors, and
other prominent conductors such as
Helmut Rilling, Charles Dutoit,
André Previn, James Conlin, Peter
Schreier, Ton Koopman and Neville
Marriner at the Professional Choral
Workshops sponsored by and held at
Carnegie Hall each year since
1991. Pritchard was also selected
to participate in the two week
Choral Institute led by Robert Shaw,
held at Furman University in June
1998.
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Gary Palmieri, Accompanist

Gary Palmieri has
been the accompanist for the
Camerata Chorale and the
Ulster Choral Society for many
years and also serves as an
Assistant Director for the choirs.
He recently retired as choral
director at Arlington High School in
Poughkeepsie, New York. He
holds bachelor's and master's
degrees in music education and has
extensive graduate work in piano and
choral conducting from Western
Connecticut State University and the Hartt College of Music. He has also
been accompanist and associate music
director for the Gilbert &
Sullivan Musical Theater Company
for several years.
Mr. Palmieri is an
adjunct faculty member at SUNY New
Paltz, serves as accompanist for
choral activities, and is also a
vocal coach, studio accompanist, and
tutor in music theory. He has a
wide range of experience in
directing, producing and
accompanying over 150 musicals with
such groups as the Sharon Playhouse,
the Gilbert & Sullivan Musical
Theater Company, SUNY New Paltz
Music Theater Workshop, the
Hotchkiss Summer Theatre, Har-Bur
Summer Theatre, Children’s Community
Theater, Amity, Housatonic and
Arlington High Schools.
Mr. Palmieri prepared
the Arlington Chorus for five
appearances at Carnegie Hall where
they performed with
composer/conductor John Rutter,
Weston Noble, the Manhattan
Philharmonic, and the New England
Conservatory Orchestra.
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